Author Archives: fmsbw

GARCIA ZARATE TRIAL

first published in The Trial Lawyer, Winter 2019 Courtroom sketch by Vicki Behringer. L-R in the foreground: Danielle Thompson (investigator), Jose Ines Garcia Zarate (defendant), Zach Dillon (paralegal/attorney); L-R in the background: Matt Gonzalez (attorney), Samuel Feng (judge), Paul Endo

GARCIA ZARATE TRIAL

first published in The Trial Lawyer, Winter 2019 Courtroom sketch by Vicki Behringer. L-R in the foreground: Danielle Thompson (investigator), Jose Ines Garcia Zarate (defendant), Zach Dillon (paralegal/attorney); L-R in the background: Matt Gonzalez (attorney), Samuel Feng (judge), Paul Endo

JEFF ADACHI

Eulogy for San Francisco Public Defender Jeff Adachi, March 4, 2019 1:04:50 introduction of Matt Gonzalez by Rudy Corpuz; 1:05:48 Matt Gonzalez begins to speak. Eulogy for Jeff Adachi (1959-2019) by Matt Gonzalez The following are the remarks made by

JEFF ADACHI

Eulogy for San Francisco Public Defender Jeff Adachi, March 4, 2019 1:04:50 introduction of Matt Gonzalez by Rudy Corpuz; 1:05:48 Matt Gonzalez begins to speak. Eulogy for Jeff Adachi (1959-2019) by Matt Gonzalez The following are the remarks made by

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EMILY FROMM

first published in Juxtapoz, February 21, 2019 Emily Fromm, All Star, 48 x 60, acrylic on panel, 2018. EMILY FROMM — PAINTING SONDER (A Review) By Matt Gonzalez When describing Emily Fromm’s artistic style, reviewers uniformly draw parallels to vintage cartoons

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EMILY FROMM

first published in Juxtapoz, February 21, 2019 Emily Fromm, All Star, 48 x 60, acrylic on panel, 2018. EMILY FROMM — PAINTING SONDER (A Review) By Matt Gonzalez When describing Emily Fromm’s artistic style, reviewers uniformly draw parallels to vintage cartoons

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EMILIO VILLALBA

first published in Juxtapoz, November 26, 2018 Emilio Villalba, Me & Lou (Studio View), oil on wood, 36 x 48 inches, 2018. Symbols of Death, Signs of Life: A Review of New Works by Emilio Villalba Modern Eden Gallery, San Francisco

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EMILIO VILLALBA

first published in Juxtapoz, November 26, 2018 Emilio Villalba, Me & Lou (Studio View), oil on wood, 36 x 48 inches, 2018. Symbols of Death, Signs of Life: A Review of New Works by Emilio Villalba Modern Eden Gallery, San Francisco

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HILARY PECIS

first published in Juxtapoz, October 25, 2018 Hilary Pecis, “Favorite Vase”, acrylic on canvas, 60 x 48 in., 2018. Hilary Pecis’ Familiar View in San Francisco Guerrero Gallery, San Francisco September 29 – November 24, 2018 Paint what you know seems an anachronistic

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HILARY PECIS

first published in Juxtapoz, October 25, 2018 Hilary Pecis, “Favorite Vase”, acrylic on canvas, 60 x 48 in., 2018. Hilary Pecis’ Familiar View in San Francisco Guerrero Gallery, San Francisco September 29 – November 24, 2018 Paint what you know seems an anachronistic

OLIVE MOORE

original to The Matt Gonzalez Reader, September 12, 2018 Detail of a letter written by Olive Moore, c. 1932. FINDING OLIVE MOORE Addressing new details that have emerged about the elusive author including a previously unpublished holographic letter  I believe only

OLIVE MOORE

original to The Matt Gonzalez Reader, September 12, 2018 Detail of a letter written by Olive Moore, c. 1932. FINDING OLIVE MOORE Addressing new details that have emerged about the elusive author including a previously unpublished holographic letter  I believe only

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KEVIN EARL TAYLOR

first published in Juxtapoz, August 17, 2018 Cycle, oil and acrylic on canvas, 80 x 170 cm, 2018. Kevin Earl Taylor’s New Exhibition Apex Opens in Berlin Tamsin Smith & Matt Gonzalez Circle Culture in Berlin, Germany, recently opened Apex,

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KEVIN EARL TAYLOR

first published in Juxtapoz, August 17, 2018 Cycle, oil and acrylic on canvas, 80 x 170 cm, 2018. Kevin Earl Taylor’s New Exhibition Apex Opens in Berlin Tamsin Smith & Matt Gonzalez Circle Culture in Berlin, Germany, recently opened Apex,